Where's Lulu

Disability News & Pop Culture

teal

April 4, 2012
by Lulu
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Interview with My Gimpy Life’s Teal Sherer!

A few months ago I happened upon a hilarious trailer for a new show starring a hottie protagonist in a wheelchair. After I recovered from my newfound crush, I found out the lady in question was Ms. Teal Sherer- star of the new program My Gimpy Life. We here at Where’s Lulu are incredibly excited for the show! Check out our interview with Teal.

When did you first get involved with acting?

I started acting in college. As part of my Communications major at Oglethorpe University (in Atlanta), I had to take a theatre class.  I immediately fell in love.  My professor Troy Dwyer was very encouraging and didn’t treat me any differently because I was in a wheelchair.  He cast me in my first play Federico García Lorca’s The House of Bernarda Alba and from then on I was either acting in a production or working behind the scenes – stage managing, ushering, or selling tickets. While in college I also learned about Full Radius Dance, which is a physically integrated (including both dancers with and without disabilities) professional modern dance company.  I auditioned for them and was accepted into their company.  I danced with them for over five years.  It was an incredible experience.

How did My Gimpy Life come about and how would you describe it to someone unfamiliar with the show?  

My Gimpy Life is loosely based on my life and the awkward situations I encounter being an actress with a disability in Hollywood. I became disabled when I was 14 years old. I was in a car accident, broke my back and suffered from a spinal cord injury.  One of the biggest adjustments I had to make (besides obviously the physical one) was the way society now interacted with me.  Over night I became a minority and I starting finding myself in crazy situations that at times could be really frustrating but then at the same time really comical.   I’ve always wanted to give a voice to my perspective. I was inspired to go the web series route because of my involvement in Felicia Day’s hit web series The Guild.  I told Felicia about my idea and she was very encouraging and suggested I collaborate with an awesome comedy writer named Gabe Uhr – we met and immediately hit it off.


 

There’s some hilarious scenes in the trailer for My Gimpy Life. In particular, there’s one where you’re talking with a man who’s interested in you and he awkwardly asks you if everything ‘works down there.’ I thought this was hysterical but also realistic in capturing certain aspects of life as a disabled woman. How much of what we see in the show comes from your own life? Since disability often provides lots of comedic material to work with, have you had any experiences that you specifically wanted to include in the show?  

Most of what you see on the show is from my own life or was at least inspired by something that happened to me.  Gabe and I start with these real stories, mix and match them and then slightly embellish.  Yes, I’ve had experiences that we specifically are putting into the show.  The scene in the trailer of the guy coming up to me asking if I can have sex was one of them.

Breaking into Hollywood as an actress is obviously very difficult. How challenging is it to do so when you’re disabled and reading for parts that aren’t written with disability in mind? How do you feel about non-disabled actors playing roles of disabled people?

One of the biggest goals for performers with disabilities is to be considered for characters that are not disability specific.  There’s no reason we can’t play the mother, the teacher, the lawyer, the criminal, etc… because these are people we are or could potentially be in real life.  We are so much more than the disability. Being an actor with a disability doesn’t entitle you to play a disabled part.  I believe the best actor for that part (whether disabled or not) should get the role.  My biggest gripe is when casting directors/producers don’t even audition disabled actors for a disabled part.  There are so many talented actors with disabilities out there that want and deserve to work.

Visibility and representation of people with disabilities in media is hugely important yet incredibly lacking. I was struck by how revolutionary it felt to watch a young, disabled woman onscreen (even though you’re doing every day, normal things), simply because it doesn’t happen very often. Even though My Gimpy Life is a comedy, it still has potential to change peoples’ minds about disability (or at least get them thinking about it). Was that a motivating factor for creating the show or were you just interested in the project itself?  

First and foremost my goal is to produce great material that entertains. At the same time it’s rewarding to give voice to a perspective that is rarely heard in the entertainment industry.  Knowing that my show has the potential to change peoples’ minds about disability or at least get them thinking about it was definitely a motivating factor for me creating the show.

When and where can we watch My Gimpy Life? 

My Gimpy Life will premiere online on Tuesday, June 12th on our YouTube channel: youtube.com/MyGimpyLife   New episodes will come out on Tuesdays. In the meantime keep up with the show on our Facebook page for updates and other cool things we are up to. And definitely subscribe to our youtube channel.

 

dacp-performance

March 2, 2012
by Toshio
0 comments

[PDX] Love, Sex and Disability Benefit, March 10

Love, Sex and Disability II Fundraiser

A night of film, music
and spoken word*
presented by

Disability Art & Culture Project

Saturday, March 10th 6:30-9:00pm
at Zoomtopia, 810 SE Belmont Ave.

Bring cash for our “Baskets of Love”
raffle and silent auction!

Tickets $15 at the door

For more information and accommodations contact
503-238-0723 or disabilityartculture@gmail.com

*Adult content

Audio Description and American Sign Language provided
Space is ADA accessible
Please be scent free

Performers include Bill Alton, a spoken-word performer who was nominated for a Pushcart Price in 2010, and Shanna Germain, an Associate Fellow at the Attic Institute who has also garnered a Pushcart nomination, the Rauxa Prize for Erotic Poetry and the C. Hamilton Bailey Poetry Fellowship. Also appearing is singer Jana Losey, who appeared in “Squonk,” a “multimedia frolic” (The New York Times) on Broadway in 2000, and Caitlin, a.k.a Lulu of http://whereslulu.com, who is a disabled woman, disability advocate, and blogger who sees Where’s Lulu as an opportunity to raise the standards of accessibility in everyday mainstream culture.

The evening includes “Baskets of Love” raffle and silent auction items, including massage gift certificates, local arts and crafts, tickets to Portland-area performing arts events, wine and chocolates. Please bring cash for the “Baskets of Love.”

Proceeds will support the fifth Disability Pride Art and Culture Festival from April 20-28. The festival brings together dancers, performance artists and visual artists for live performances and short films to reveal the distinctive aesthetic of disability art and to provide the public with an alternative view of the lives of people with disabilities.


Don’t miss this utterly rare chance to mingle with Where’s Lulu’s very own co-founder. Plus, who doesn’t love spoken word that requires an adult content warning?

broken-piggy-bank

February 28, 2012
by Toshio
0 comments

Bank of America Discriminates; Getting Fined

If you’ve ever been a Bank of America customer, at some point you’ve no doubt suffered a painful, account-draining charge. It’s time they got theirs.

The U.S. Department of Housing and Urban Development [HUD] charged Bank of America Corp. on Monday with discriminating against three disabled borrowers in Michigan and Wisconsin…

Bank of America imposed “unnecessary and burdensome requirements” on borrowers who relied on disability income to qualify for their home loans, the government said. The bank also required some disabled borrowers to provide statements from their doctors to get loans, according to the government.

The maximum amount that HUD can make them pay is $65,000 (for a third violation within seven years), a mere drop in the bucket for a company that made $2 billion last quarter.

More at Huffington Post.

bolivian-protests

February 27, 2012
by Toshio
0 comments

Outrage in Bolivia

75 disabled people just walked and wheeled almost 1,000 miles across Bolivia, calling for an annual government subsidy of $400; right now they get about 30% of that. On Friday, riot police blocked their way to the presidential square in La Paz, where the protesters tried to break through (see video below). There they were beaten, tased, and teargassed. Amnesty International called for Bolivia’s government to investigate police violence.

From Al Jazeera:

“We aren’t asking for any favours from the government,” said Luis Felipe Leigue, one of the leaders of the disabled group, which numbers 46,000 across the country.

“We are asking for what rightly belongs to us. We are asking them to approve the law that we drafted and they are not doing it. We want to make it to Murillo Square [the parliament square], a place that belongs to all Bolivians, and they won’t let us.”

The government of Evo Morales offered a one-time subsidy equal to $145, which would’ve gone into effect the day before they arrived in La Paz. The leaders of the disabled movement rejected the low-ball offer, which would have kept them way below the poverty line. Eventually, they made it to the plaza, where five of the protesters are currently on hunger strike.

The Guardian has a longer piece on the poverty that disabled people in Bolivia face.

Photo via Blottr.

February 12, 2012
by Lulu
0 comments

Sins Invalid Movie

Sins Invalid is “a performance project that incubates and celebrates artists with disabilities, centralizing artists of color and queer and gender-variant artists as communities who have been historically marginalized. Our performance work explores the themes of sexuality, embodiment and the disabled body. Conceived and led by disabled people of color, we develop and present cutting-edge work where normative paradigms of “normal” and “sexy” are challenged, offering instead a vision of beauty and sexuality inclusive of all individuals and communities.”

They’re making a movie! We all need this. Let’s support their Kickstarter, shall we?

rippdlogo

February 6, 2012
by Toshio
0 comments

Real Mental Health Solutions Necessitate Abolition of the Prison Industrial Complex

In the latest issue of The AbolitionistRights for Imprisoned People with Psychiatric Disabilities has a good article speaking to what’s so messed up about the imprisonment of PWD, and the harsh treatment they face while behind bars. An excerpt:

Since its inception in 2003, RIPPD’s mission has been to end the criminalization of mental illness through an abolitionist framework. Our push to abolish prisons is informed by our own experiences of inequality, oppression, and violence within the prison and mental health industrial complexes. We need to focus on real alternatives that disregard the prison industrial complex and other systems that are modeled after it (i.e. psychiatric hospitals) and develop true community-based solutions. In the case of individuals who are psychiatrically labeled, these alternatives mean access to holistic health and mental health care in a safe and inviting environment. Not a scene from One Flew Over the Cuckoo’s Nest, but places of recovery where people are self-determined to seek meaningful care.

It’s free for the downloading.

accessible-taxi

December 25, 2011
by Toshio
0 comments

A Bright Yellow Xmas Present for Wheelchair Users

In spite of bullying by the likes of New York City mayor Michael Bloomberg, the outlook for all-accessible taxis in New New Amsterdam is good, thanks to the work of activists at United Spinal, the Taxis for All Campaign, Disabled in Action, and Disability Rights Advocates. On Friday, they, along with plaintiffs Christopher Noel and Simi Linton, won a civil rights class action suit against the New York City Taxi and Limousine Commission and Commissioner David Yassky.

Judge George Daniels ruled that “meaningful access” to NYC taxis is a must.

“It is clear…that less than 2% of the city’s fleet being wheelchair accessible, resulting in the unavailability of taxi transportation and significantly increased waiting times for disabled persons who require wheelchairs, is not meaningful access. In fact, during oral argument, [the New York City Taxi and Limousine Commission] conceded that its regulations do not provide meaningful access to individual who require wheelchairs. It must do so… Meaningful access for the disabled to public transportation services is not a utopian goal or political promise, it is a basic civil right. Title II [of the Americans with Disabilities Act, prohibiting discrimination against disabled people] requires immediate and full compliance.”

Until the city comes up with a “comprehensive plan” for cab accessibility, it will only be allowed to issue new medallions (fancy word for licenses) for wheelchair-accessible taxis.

And this won’t stop at NYC. As United Spinal argued before the legal victory, “this fight reaches far beyond the city’s front lines. If NYC creates an equitable system of accessible public transportation then other cities both small and large will follow.”

via Rolling Rains

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December 20, 2011
by Toshio
3 Comments

An Interview with Krip-Hop Nation’s Leroy Moore

Leroy Moore is a founder of Krip-Hop Nation, which pushes real, disabled-made hip-hop out to the masses via the web and its semi-annual mixtapes. Listen here.

What was the first song you ever wrote, and what inspired it?

I’m very new to writing songs and I think my first song (If you can call it a song…it was more like a poem) was “Krip-Hop.” I call myself a poet but I always loved music and realized that many poets like Gil Scott-Heron, Jill Scott, Ursula Rucker and many more have started as poets and became singers. I mean Hip-Hop is really poetry if you drop the music.

It can be a pain in the ass dealing with the oppression that comes with being disabled. Does being both black *and* disabled complicate things at all?

For me it’s just who I am but the oppression in both communities against each other is still shocking. Fuck, it is 2012 and still there is racism in the disabled community and ableism in the people of color community. A lack of coming together and very little knowledge, visibility in the mainstream of the history, art, music and other contributions of people of color with disabilities is just mind-blowing. However recently there are projects around this country and world are doing their best to change this lack of knowledge but I wish we could all come together. The system we live under keeps us apart and competing each other and that is very sad.

How’d you get involved with [disabled performance artists' group] Sins Invalid

Sins Invalid was started by a group of friend, Patty Berne, Todd Herman, Amanda Coslor and I back in 2004. Patty Berne and I, both people of color with disabilities, were out at a beautiful dance event and we both turned to each other and asked why don’t we see ourselves as disabled people of color with strong politics on the San Francisco Bay Area’s performance stage. [We carry out our cultural work with an] intersectional framework of holding all identities of people who were left out of the disability rights movement.

Who are some hip-hop artists you’re listening to, and who are some disabled artists you’re into right now?

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justin_bieber_someday_ad_2

December 19, 2011
by Toshio
0 comments

Chanel No.

One aspect of accessibility of spaces that lots of people overlook is chemical sensitivity. Spraying on Drakkar Noir isn’t the only thing to check yourself on: other things like scented candles and soaps can set off ugly reactions in people who have the disability.

A poet friend, Vanessa Huang, has a good guide for making events accessible to people with chemical sensitivities: a place for all of us.

In related news, Vanessa’s also raising money via Kickstarter to put towards supporting herself while she finishes her first poetry collection, quiet of chorus. Video below.
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